Date of Award
12-1-2010
Degree Type
Dissertation
University or Center
Clark Atlanta University(CAU)
School
School of Arts and Sciences
Degree Name
Ph.D.
First Advisor
Dr.Georgene Bess-Montgomery
Second Advisor
Dr. Mary Arnol Twining
Third Advisor
Alma Vinyard
Abstract
This study introduces a literary Theory of African-American Archetypes, which is an outgrowth of two parent theories, Archetypal Criticism and African-American Literary Criticism. The theory posits that the folklore of Africana peoples created and inform culturally specific archetypes, which are deeply seeded in the collective unconscious of many African Americans. As in life, such archetypes are prevalent in African-American literature, which is momentous because they are both historic and perpetual within the community. The African-American Archetypal Big Mama is the character that will be used to demonstrate the theory as a viable form of literary criticism, using Gloria Naylor’s Mama day. Examination of her opposite, the Whistlin’ Woman, in Tina McElroy Ansa’s Ugly Ways and Taking After Mudear will substantiate and define the African-American Archetypal Big Mama by negation. Elucidation and application of the theory to African American literature are significant because they widen the criticism particularly for texts by and for African Americans. Additionally, the application opens the doors for critics of multi-ethnic literature to examine their own cultural idiosyncrasies and subsequent lore for archetypes explicit to their literary traditions.
Recommended Citation
Holston, Jan Alexia, "A theory of African-American archetypes: big mama and the whistlin' woman" (2010). ETD Collection for Robert W. Woodruff Library, Atlanta University Center. Paper 201.
http://digitalcommons.auctr.edu/dissertations/201